Showing posts with label New Release Tuesday. Show all posts
Showing posts with label New Release Tuesday. Show all posts

Tuesday, November 2, 2010

Swallowtail Welcome

I am a “Grand Mananer”; I was born on Grand Manan Island and I live here. And for reasons that defy logic I am ridiculously tied to the place.  Sure, I enjoy visiting other places, but I have often commented that my favourite part of any trip is seeing Swallowtail Light on my return.  And others who live here have echoed the same sentiment.


Swallowtail Welcome” is aimed at all ex-pat Grand Mananers who, as they approach our special Island, feel that same sense of belonging when the ferry rounds Swallowtail Light, signalling that the ferry crossing is almost complete, the journey is almost done, they are almost “home” (even if “home” on Grand Manan has not been reality for forty or fifty years).

“Swallowtail Welcome” depicts the lighthouse and its distinctive promontory as it would be seen from the ferry approaching Grand Manan on a calm sunny day.  (As an aside, the person for whom I did this painting was particularly averse to ferry crossings in rough weather, so I tried to depict as calm as possible a sea in the painting)


And what would a welcome to Grand Manan be without a couple of seagulls to make it complete.  If Grand Manan were to adopt its “national bird”, I think it would have to be the seagull, or “herring gull” to be more specific.  Powerful, independent and graceful, gulls are beautiful to watch as they soar with little apparent effort and relish gale force winds so strong that other birds are grounded or forced to seek shelter in the trees.

And so, to all ex-pat Grand Mananers, who still harbour an illogical craving for this austere rock at the outer fringes of the Bay of Fundy, here is the perfect gift from one ex-pat to another, a gift that shows that you share this special understanding of a “Swallowtail Welcome”, a sentiment that the less privileged world without a tie to Grand Manan would never understand.


Tuesday, October 26, 2010

Swallowtail: Iconic Lighthouse

Swallowtail Light is one of those icons of the Maritime Provinces that never ceases to attract photographers to snap their own personal image of the commanding structure on a bleak promontory.

For those of us who live on Grand Manan, the name "Swallowtail" is something we just take for granted without thinking about it much.  But when you stop to ponder the name, it does seem rather odd for a lighthouse.

The name actually referred originally to the point of land on which the light was built.  It fans out from a narrow isthmus to look, if you have a flexible enough imagination, like the tail of a swallow; or the "swallow's tail".  Whatever your imagination might fancy it to resemble, it is the bold and rugged promontory that really sets this lighthouse apart as being so striking. And so the rugged rocks of Swallowtail are important and must be integral to any image of this lighthouse.

This painting of Swallowtail Light, which I call "Swallowtail Surf" was one of my earlier lighthouse paintings, and the prints from this painting have proved to be a perenial favourite among those who love images of our rugged Atlantic coast.


"Swallowtail Surf" is my feature print today in From Our Cove's Etsy shop.  This print really resonates with those who have loved scrambling over the rocky coves and points along our Atlantic coast, pausing from time to time to be invigorated by the tang of cold salt spray.  The actual lighthouse plays a distant second fiddle to the rocks and surf in the foreground.

I had a lot of fun painting the rocks and surf and many people have told me that they enjoy the power of the sea conveyed in the print.  I hope you have an opportunity to enjoy it too.

Tuesday, October 19, 2010

Celebrating Sail: "Marco Polo"

In the heyday of square sail, clipper ships were the finest vessels afloat. With billowing clouds of canvas straining their spars and rigging, they were a beautiful tribute to man's ingenuity in harnassing the power of wind.  I have always admired beautiful square rig sailing ships, and so it is reasonable that I should have painted one. Of course, if you are from southern New Brunswick, a square rig ship means "Marco Polo"


My first encounter with the "Marco Polo" was in research for a book I wrote, published in 1970 by Ginn & Co., entitled "Shipbuilding in the Maritimes".  The following paragraphs are quoted from the book.

At the time of her maiden voyage, the Marco Polo was a timber drogher, a cargo carrying vessel.  But in Liverpool she took the eye of James Baines, who bought her to make passenger runs to Australia.

Into drydock went the Saint John timber ship. She was reinforced with copper fastenings and sheathed with metal. Her interior was rebuilt into comfortable staterooms. On her deck was built a richly ornamented dining saloon, picturesquely lighted and finished with the finest of materials. The doors were panelled in stain glass and the upholstery was crimson velvet. She could hardly be recognized as the same ship that left Saint John.  At that time, the only decoration of the Marco Polo had been the full length figure head of the explorer, Marco Polo, reaching forward from the stemhead.

(This has been preserved and is now found in the New Brunswick Museum)



As captain, Baines engaged James Nicol Forbes.  He was known as "Bully" Forbes, as tough a man as ever hauled himself hand over hand across the rigging of the flying jib boom.  A captain of experience and nerve, he boasted that he would go to Melbourne and back within six months.  Though this boast was discounted with amusement, Forbes had sailed in British North American ships and knew that he could do some traveling under full sail in the latitude of the Roaring Forties.  An American navigator had recommended a route to Australia and back that made use of these strong winds both ways.  Forbes planned to follow this route.

On July 14, 1852, the Marco Polo left Liverpool for Melbourne with nine hundred and thirty emigrants on board.  He had a crew of sixty men, half of whom were working their way to Australia.  Forbes made the trip in sixty-eight days, an impressive achievement.  In four days in teh south latitudes he covered 1,343 miles, an average of 336 miles each day.

Because of the gold strike in Australia, captains had problems obtaining seamen in Melbourne.  Sometimes whole crews left their ships to go to the gold fields.  Forbes solved the problem by having all his crew jailed in Melbourne on a trumped up charge as soon as the Marco Polo docked.  When he had loaded all his suppliles and cargo, Forbes withdrew the charges against the crew and had the men returned to the ship.

The Marco Polo went back to Liverpool by way of Cape Horn and arrived there five months and twenty-one days after she had left Liverpool.  Forbes had lived up to his bopast.  The shipping world was astounded.  None were more excited than James Smith and his men when they learned of the achievement of the ship they had built. Thousands of people came to see the Marco Polo at Liverpool. They admired the banner that hung between her foremast and mainmast proclaiming "THE FASTEST SHIP IN THE WORLD"

The Marco Polo made many more journeys to Australia and back under a succession of different captains. A fast passenger ship, she continued in the Australian service for fifteen years. By the end of this period her hull was becoming water-soaked, her timbers were strained, and she was getting too heavy in the water to be a fast passenger ship. She could no longer stand the full sail of her early days when she covered the long distance between England and Australia in record times.

She was cut down in rigging to become a barque.  The proud Marco Polo was reduced to a tramp, slowly luggin consignments of heavy cargo.  In 1880 she was sold to a Norwegain company.  Once more she engaged in the timber trade. She limped across the ocean laden with timber, her tired hull wrapped in great lengths of enormous chain to hold her together.  A wind-powered pump operated full time to discharge the water that trickled through her sodden seams.

Finally, in August of 1883, while struggling along in the Gulf of St. Lawrence with a load of timber, she was caught in a gale and smashed on the shores of Cape Cavendish, Prince Edward Island. After thirty-two years of making history throughout the world, she had bravely staggered home to the shores of her native country to die.